Recent work in the Philosophy of Mind has suggested that alternatives to reduction are required in order to explain the relationship between psychology and biology or physics. Emergence has been proposed as one such alternative. In this paper, I propose a precise definition of emergence, and I argue that chaotic systems provide concrete examples of properties that meet this definition. In particular, I suggest that being in the basin of attraction of a strange attractor is an emergent property of any (...) chaotic nonlinear dynamical system. This shows that non-reductive accounts of inter-theoretic relations are necessary, and that non-reductive accounts of the mental are possible. Moreover, this work provides a foundation for future work investigating the nature of explanation, prediction, and scientific understanding of non-reductive phenomena. (shrink)

It is a strange fact that people's opinions of psychoanalysis are only rarely tentative or unemphatic. It seems that one must either love it or hate it. Professor Cioffi, in a recent paper, has shown that he is no lover of psychoanalysis, and he makes what appears to be a devastating attack on Freud's theories and methods and on the credibility of the whole psychoanalytic discipline. Without wanting to ally myself wholeheartedly with the opposite camp, I want to show that (...) many of the main contentions of his paper are wrong. I shall argue that the objections he makes which, if valid, would be the most serious for Freudian theory, are unfounded. (shrink)

Of the capital manuscripts R and V have nexantem, M and P nixantem. The good minuscules favour nexantem on the whole, though Paris lat. 7906 has nixantem. nexantem is found in the Latin grammarians , v. 485 ), who quote the line because it contains this verb in its first conjugation form. Editors vary, and recently R. D. Williams, in his commentary on A. 5 , has preferred nixantem. So it seems worth restating the case for nexantem, especially as its (...) defenders have not used all the arguments open to them. (shrink)

The article discusses the features of the love-passionate plot in the stories of Ivan Bunin. The question is raised why Bunin, describing the strange or immoral acts of the heroes, does not condemn them, and in general draws a bright, sometimes sad atmosphere. Analysis of L. S. Vygotsky’s short story “Easy Breathing” by Bunin allows us to express an idea about a certain strategy for building Bunin’s works. Based on this consideration, the methods by which Bunin achieves the effect of (...) perception of the characters he needs are analyzed. There are three such techniques: the convergence of the actions and behavior of the characters with the life and breath of nature, the depiction of the life of the characters from the point of view that Bunin needs, and the endowment of the characters with personality traits that exclude ethical characteristics and problems. The scientific explanation of Bunin's artistic constructions is based on the analysis of mental trauma (caused by the departure of the first wife and the horrors of the revolution), artistic understanding of the events that interest the writer, and the peculiarities of the conceptualization of these events. In addition, it is proposed to take into account that Bunin began and became famous as a poet, and as a poet he composed his prose partly according to the laws of versification. (shrink)

In this paper I try to explain a strange omission in Hume’s methodological descriptions in his first Enquiry. In the course of this explanation I reveal a kind of rationalistic tendency of the latter work. It seems to contrast with “experimental method” of his early Treatise of Human Nature, but, as I show that there is no discrepancy between the actual methods of both works, I make an attempt to explain the change in Hume’s characterization of his own methods. This (...) attempt leads to the question about his interpretation of the science of human nature. I argue that his view on this science was not a constant one and that initially he identified this science with his account of passions. As this presupposes the primacy of Book 2 of his Treatise I try to find new confirmations of the old hypothesis that this Book had been written before the Book 1, dealing with understanding. Finally, I show that this discussion of Hume’s methodology may be of some interest to proponents of conceptual analysis. -/- . (shrink)

The notion of mental production is currently ever more insistently making a place for itself in the dictionary of science and the public vocabulary. But at the same time, even professional philosophers sometimes feel no special need for that term when they offer characterizations of a particular society or of the process of social history as a whole. The reason for this is that the term "mental production" is often employed as a purely synonymous replacement for categories of historical materialism (...) and thus raises doubts as to whether it possesses significance and value of its own. No, it is not at all terminological considerations or mere "strangeness" that causes doubt or hesitation with respect to the notion of mental production, but the fact that it is still insufficiently understood, that we lack a comprehensive, theoretical picture of the social reality the term denotes. (shrink)

The association of Berdiaev's name with the phenomenon of perestroika seems strange at first glance and even illogical. But perestroika, which is proceeding—or, more precisely, is trying to proceed—under the sign of an intellectual renaissance, has naturally aroused interest in the names of Russian philosophers who have undeservedly been forgotten. One of these is N.A. Berdiaev . He was a Russian patriot and was profoundly concerned with Russia's fate. Living in a critical period, Berdiaev reflected a great deal over the (...) past, present, and future of his Motherland, advanced the idea of its transformation, and even used the term "perestroika" in doing so. His thoughts concerning Russia's political renewal are profound, and some of them are applicable to the present life of our society. (shrink)

The essays in Part I of _Beyond Poststructuralism seek_ to demonstrate fallacies of structuralist and poststructuralist thought that remain potent even though the theoretical structures that led to their enunciation have lost much of their original influence. These fallacies include the idea that one must avoid the consideration of authorial intention; that meanings are undecidable; that there is no justification for seeking unity in a text; that all hierarchies of value are reversible; that history is no more than an open (...) contest among competing narrative constructions; and that the very nature of language makes the falsifiability of statements about human experience impossible. The essays in Part II suggest ways to bring literary study into closer relation with human experience of the world. Their authors emphasize the role of literature in providing new perspectives and broadening the range of available alternatives to what is threatening, unjust, fallacious, or absurd in social and cultural structures. Contributors are Bernard Bergonzi, John Holloway, Wendell V. Harris, A. D. Nuttall, Raymond Tallis, John Searle, Richard Levin, Robert Scholes, James Battersby, David Bromwich, Quentin Kraft, Michael Fischer, Charles Altieri, Christopher Clausen, Gayle Greene, André Lefevere, Daniel R. Schwarz, Virgil Nemoianu, and Martha Nussbaum. (shrink)

In this article human-posthuman ruptures and disconnections both in comprehension and in practices, as well as the possibility of epistemological contingency contemporaneously are investigated. This means that an epistemological ruptures and an ontological disconnections of sexuality both differ from one another, and also join together. Since ancient times both sensitive and sensible practices of sexuality were considered the best mode to concern to sexual care of self. It has shown that, in relation to sexuality, a correlation of epistemological discontinuity and (...) continuity is possible. Sexuality, which is actualized with the help of both natural, vital and death, annihilative drives, fits into the context of onticology as a posthuman ontology. Being connected with the thermodynamics of infinitesimal vital parts, anonymous strange strangers, singularities, it turns out to be especially awesome. Such a mode of sexuality is not necessarily reproductive; rather, it unfolds in the fluid space of non-presence and at the same time determines this space. It emphasizes that that the cos mo‑illogical becoming of posthuman leads to negentropy or extropy as vitality. Following this position, the foucaultian conception of the care of self mirrors lacanian graphs of sexuation in a context of object-oriented ontologies in comparison with philosophies of presence. It is recognized that this is the sexuality of the productive disconnection and the pleasure cosmic dissolution. This article concludes by illustrating that the mode of sexuality of Speculative Posthumanism is contingent with the Libidinal Materialism or Vital Posthumanism in a context in which the sexuality of Wide Human Descendants is thought to be oriented to that which is pleasure and is differentiated. (shrink)

It has recently been argued by Gabriel Herman that fourth-century Athenian citizens, or at least the majority of them, believed that even under the impact of serious private aggression a man should not pursue revenge. The general ideal, so it is maintained, was to avoid not only violent revenge but also revenge through prosecution. Herman recognizes that other Athenian texts of the same period take the propriety of exacting revenge for granted, and he explains this in part by reference to (...) a supposed ‘double standard’—a rather strange expression in this context, because it suggests that the propriety of revenge in classical Athens depended on the status of the victim of the revenge—which is not in fact the burden of Herman's doctrine. (shrink)

I Agree with R. G. Austin, who in his recent paper , 107 ff.) showed that Virgil did not write this proem to the Aeneid, and suggested that it was produced in the first half of the first century, perhaps prompted by the problem mentioned by Servius on A. I. I: ‘multi varie disserunt cur ab armis Vergilius coeperit.’ I wish here to comment briefly on the content of the lines. gracili qui... carmen refers to the writing of the (...) Eclogues. As Austin points out , Virgil has gracilis only in E. 10. 70 ff., the conclusion of the whole of the Eclogues: Haec sat erit, divae, vestrum cecinisse poetam, dum sedet et gracili fiscellam texit hibisco, Pierides…. (shrink)

I Agree with R. G. Austin, who in his recent paper, 107 ff.) showed that Virgil did not write this proem to the Aeneid, and suggested that it was produced in the first half of the first century, perhaps prompted by the problem mentioned by Servius on A. I. I: ‘multi varie disserunt cur ab armis Vergilius coeperit.’ I wish here to comment briefly on the content of the lines. graciliqui... carmen refers to the writing of the Eclogues. As (...) Austin points out, Virgil has gracilis only in E. 10. 70 ff., the conclusion of the whole of the Eclogues:Haec sat erit, divae, vestrum cecinisse poetam,dum sedet et gracili fiscellam texit hibisco,Pierides…. (shrink)

An attempt to present Kant's Critical Philosophy in a non-technical and up-to-date manner. The author is largely successful in translating complex doctrines into simple language and in relating Kant's thought to contemporary developments in philosophy, science, morals and theology. He stresses the continuity of Kant's thinking with our own, and expounds the Kantian position in the light of the criticisms which have been directed against it, in our and other times. Despite the simplicity of its language, however, the book is (...) not always as clear in meaning or content as one might wish, and some of the interpretations--as when, in Chapter 2, space and time are made out to be "particulars"--are decidedly strange.--V. C. C. (shrink)

The essays in Part I of _Beyond Poststructuralism seek_ to demonstrate fallacies of structuralist and poststructuralist thought that remain potent even though the theoretical structures that led to their enunciation have lost much of their original influence. These fallacies include the idea that one must avoid the consideration of authorial intention; that meanings are undecidable; that there is no justification for seeking unity in a text; that all hierarchies of value are reversible; that history is no more than an open (...) contest among competing narrative constructions; and that the very nature of language makes the falsifiability of statements about human experience impossible. The essays in Part II suggest ways to bring literary study into closer relation with human experience of the world. Their authors emphasize the role of literature in providing new perspectives and broadening the range of available alternatives to what is threatening, unjust, fallacious, or absurd in social and cultural structures. Contributors are Bernard Bergonzi, John Holloway, Wendell V. Harris, A. D. Nuttall, Raymond Tallis, John Searle, Richard Levin, Robert Scholes, James Battersby, David Bromwich, Quentin Kraft, Michael Fischer, Charles Altieri, Christopher Clausen, Gayle Greene, André Lefevere, Daniel R. Schwarz, Virgil Nemoianu, and Martha Nussbaum. (shrink)

Strange as it may seem today—especially given James’s reputation as a brilliant psychologist, an astute writer on religious life, and the eminent founder of pragmatism—no facet of James’s career received more ink in the general press than psychical research, at least during his lifetime.in his masterful introduction to Essays in Psychical Research, Robert McDermott observes that 1896 was a significant year for William James. He writes of James as a “weaver of intellectual and experiential threads” who “labored for the removal (...) of those ideas, beliefs, and habits of mind that block insight and imagination” and that, on this account, “[t]he year 1896 is instructive” . This paper attempts to shed .. (shrink)

It has recently been argued by Gabriel Herman that fourth-century Athenian citizens, or at least the majority of them, believed that even under the impact of serious private aggression a man should not pursue revenge. The general ideal, so it is maintained, was to avoid not only violent revenge but also revenge through prosecution. Herman recognizes that other Athenian texts of the same period take the propriety of exacting revenge for granted, and he explains this in part by reference to (...) a supposed ‘double standard’—a rather strange expression in this context, because it suggests that the propriety of revenge in classical Athens depended on the status of the victim of the revenge—which is not in fact the burden of Herman's doctrine. (shrink)

These intentionally loose reflections on the different aspects of motherhood certainly give food for sustained thought; but they fall short of being the promised metaphysics. It is strange that no one has ever tried to write a philosophical monograph on motherhood before, even though the subject is "in the air." Schapp, by making use of historical, sociological, and psychological observations limited to Western cultures, gives an unpretentious yet insightful sketch for a more definitive work which remains to be written. The (...) most interesting part of the book is the author's attempt to show that fatherhood is historically posterior to and metaphysically dependent upon motherhood. However, this alleged metaphysical dependence is not demonstrated conceptually and the reader is tempted to conclude that even the contemporary evolution of the role of the woman in marriage and the family might not fully fit into what the author supposes to be the temporally unfolding yet eternal essence of motherhood.—M. J. V. (shrink)

This chapter contains sections titled: The Paradox of Virgil Summary of the Paradox of Virgil The Strange Case of Cato “The Perfect Stoic” Dante's Decision Dante and Conflict.

v. 1. Ruskin to Swinburne -- v. 2. Pater to Arthur Symons.

Of the four surviving fragments of Varius' De Morte1 perhaps the most widely discussed has been the first: Vendidit hie Latium populis agrosque Quiritum eripuit, fixit leges pretio atque refixit This is imitated by Virgil, whose Sibyl says of a soul in Tartarus: Vendidit hie auro patriam dominumque potentem imposuit; fixit leges pretio atque refixit Most commentators, quoting Cic. Phil. 12.5.12, connect both passages exclusively with Antony, and rightly point to Servius' words on v. 622, ‘possumus Antonium accipere’. What (...) should be stressed, however, is that Servius also thinks the words ‘vendidit hie auro patriam’ have a general reference, but are at the same time designed to recall historical individuals, of whom he names two: etiam haec licet generaliter dicantur, habent tamen specialitatem: nam Lasthenes Olynthum Philippo vendidit, Curio Caesari XXVII. S. Romam: de quo Lucanus Gallorum captus spoliis et Caesaris auro. (shrink)

The paper examines V. Nabokov's "strange" novel ''Bend Sinister". The fictional space of the novel is regarded as a process of interaction of different languages or different versions of reality. The philosopher Krug's story unrolls in the imaginary totalitarian state whose ideology combines the elements of fascism, communism and the language of mass psychology. At this level the text is identical with a "social message". The protagonist has to choose between a "private autonomy" and a "bad solidarity". The paper offers (...) the new facts and documents referring to the key symbols of the novel. The language of ''reality'' is deconstructed in the protagonist's idiosyncratical language, the language of his thoughts, recollections and dreams. Scientific metaphors are crucial in thedeconstruction and help to reveal metafictional nature of the text. The analogies with painting, relativist physics, logical paradoxes (Russell's and Gadel's theories) pemits to investigate the status of the fictional space, its development in time and the fiction of the Author. (shrink)

The paper examines V. Nabokov's "strange" novel ''Bend Sinister". The fictional space of the novel is regarded as a process of interaction of different languages or different versions of reality. The philosopher Krug's story unrolls in the imaginary totalitarian state whose ideology combines the elements of fascism, communism and the language of mass psychology. At this level the text is identical with a "social message". The protagonist has to choose between a "private autonomy" and a "bad solidarity". The paper offers (...) the new facts and documents referring to the key symbols of the novel. The language of ''reality'' is deconstructed in the protagonist's idiosyncratical language, the language of his thoughts, recollections and dreams. Scientific metaphors are crucial in thedeconstruction and help to reveal metafictional nature of the text. The analogies with painting, relativist physics, logical paradoxes pemits to investigate the status of the fictional space, its development in time and the fiction of the Author. (shrink)

The paper examines V. Nabokov's "strange" novel ''Bend Sinister". The fictional space of the novel is regarded as a process of interaction of different languages or different versions of reality. The philosopher Krug's story unrolls in the imaginary totalitarian state whose ideology combines the elements of fascism, communism and the language of mass psychology. At this level the text is identical with a "social message". The protagonist has to choose between a "private autonomy" and a "bad solidarity". The paper offers (...) the new facts and documents referring to the key symbols of the novel. The language of ''reality'' is deconstructed in the protagonist's idiosyncratical language, the language of his thoughts, recollections and dreams. Scientific metaphors are crucial in thedeconstruction and help to reveal metafictional nature of the text. The analogies with painting, relativist physics, logical paradoxes (Russell's and Gadel's theories) pemits to investigate the status of the fictional space, its development in time and the fiction of the Author. (shrink)

The paper examines V. Nabokov's "strange" novel ''Bend Sinister". The fictional space of the novel is regarded as a process of interaction of different languages or different versions of reality. The philosopher Krug's story unrolls in the imaginary totalitarian state whose ideology combines the elements of fascism, communism and the language of mass psychology. At this level the text is identical with a "social message". The protagonist has to choose between a "private autonomy" and a "bad solidarity". The paper offers (...) the new facts and documents referring to the key symbols of the novel. The language of ''reality'' is deconstructed in the protagonist's idiosyncratical language, the language of his thoughts, recollections and dreams. Scientific metaphors are crucial in thedeconstruction and help to reveal metafictional nature of the text. The analogies with painting, relativist physics, logical paradoxes pemits to investigate the status of the fictional space, its development in time and the fiction of the Author. (shrink)

Following the example of the late Professor R. S. Conway, who in the Transactions of the Cambridge Philological Society, vol. v, part i , discussed ‘The Use of the Singular Nos in Cicero's Letters’, I examined Catullus’ employment of the idiom in an article published in Mnemosyne, series iii, vol. vii, fasc. 2 , pp. 148–56. While the usage of Catullus exemplified various of Conway's indisputable types of the singular nos, such as the Plural of Authorship and the Plural of (...) Proprietorship, my observations did not confirm his main thesis of a ‘projective’ use, which L. C. Purser reviewing his rnonograph called ‘a Pluralis Dignitatis or Fiduciae, not to say Adrogantiae’, in direct contrast to the orthodox pluralis modestiae. I found that, where the use of nos related to a state of mind of the writer or speaker, not merely to circumstances of his environment, the usage in Catullus was either a pluralis modestiae or one of several derivative types. My examination of Virgil seems wholly to confirm the conclusions reached concerning Catullus, whose types of singular nos I classified as follows: the Plural of Proprietorship ; the Traveller's Plural ; the Local Plural ; the Plural of Authorship ; the Social and Domestic Plural ; the pluralis modestiae , pp. 87–9); the Plural of Pleading or Requesting; the Plural of Pathos or Self-pity. Of these , , , and are a product of circumstances of environment and relate to a group of which the speaker or writer is a member; , , , and express an attitude or state of mind. Virgil's examples of the usage fall into six of these categories, and being absent. For the purposes of the present study I shall, in order to indicate more clearly the connexion between and , and the subjective character of , number the six Virgilian categories as follows: the Plural of Proprietorship; the Social and Domestic Plural; the Plural of Authorship; the pluralis modestiae; the Plural of Pleading or Requesting; the Plural of Pathos, Self-pity, or Complaint. (shrink)

In C.Q. xxiii. 2 Dr. C. M. Bowra examined the Ennian phrases in the Aeneid which Virgil adopted but transformed. Bowra, whose object was to investigate the reasons which led Virgil to make slight changes in these echoes, naturally had nothing to say about those borrowings which remained unaltered in Virgil. Of these, perhaps the most striking is the allusion to Q. Fabius Maximus Cunctator in v. 846 above. The following points can be noted about the line: (...) 1. It is not a subconscious, or apparently purposeless, reminiscence of familiar words, a habit of which the best-known example is Aen. vi. 460, invitus, regina, tuo de litore cessi, cf. Cat. lxvi. 39. (shrink)

In his fifth eclogue Candidus the Neo-latin poet Baptista Mantuanus, known in the Renaissance as the “second Virgil”, deals with the poverty of writers and the stinginess of patrons. The dialogue between the sincere-minded poet Candidus, who is frustrated by his hopeless situation, and the rich Silvanus, who gives only empty promises of help, turns out, however, to be futile. As can be demonstrated by the quotations taken mainly from the Roman satirists, Mantuanus makes use of the classical texts (...) as far as they serve his purpose and explicitly displays a subtle view of his various sources. Quoting from classical literature he often compares Candidus, his alter ego, with the victims of Horace, Juvenal and Persius, and frequently transforms the positive aspect of the original into its contrary. This technique emphasizes the needy poet’s self-ironical attitude confirmed by his exaggerated complaints describing his calamity. That is why Candidus appears to be a self-pitying and self-centered character, while, on the other hand, Silvanus represents the specimen of a miser giving nothing but flimsy promises, with the result that the dialogue remains stagnant and ultimately ineffective. (shrink)

The purpose of this article is twofold. First, on the basis of a re-examination of the sources and with new arguments, it discusses the meaning of a verse-fragment quoted anonymously by Servius ad Aen. 4.638 (Enn. Ann. Dub. Fr. V Sk. = Inc. 31 blänsdorf, p. 434 courtney), and supports the attribution of this fragment to Ennius’ “Annales”. Second, it demonstrates that this attribution is not undermined by the presence, in the fragment, of a parenthetical phrase that is “in apposition”, (...) a stylistic feature which, though commonly believed to date back to Virgil’s time, may, in fact, be also attested in another Ennian fragment from the “Annales” (Enn. Ann. 22 Sk.). (shrink)

This article will offer a close reading of sections 74 and 75 of “Chapter V: Temporality and Historicality” of Division Two of Heidegger’s Being and Time (1927). Our goal is to expand on a speculative metaphysical reconstruction of Chapter 17 of the Gospel of John, when Jesus is finished speaking to the disciples and is addressing the Father alone. This is right before his Passion, namely the arrest, trial, crucifixion, and ultimate Resurrection. The work is not situated in either abstract (...) systematic or biblical theology, which seeks to defend faith, particularly using modern continental philosophical resources, such as the early Heidegger’s fundamental ontology. Then again, it is not a philosophy of religion either, in the sense that it is not concerned with investigating the nature or essence of religion. Rather, it is trying to move within Being and Time to construct anew its ‘missing Division Three’ by creating new terms and distinctions beyond what is offered in the first Two Divisions. Our hypothesis is this: the supersession of Being and Time requires an imaginative metaphysical expansion of hidden secrets buried in the Gospel regarding a strange double temporalization in the discourse of Jesus to his Father. These two temporal planes are phenomenologically irreducible to either the linear sequence of events of his life as narrated in the four Gospels; or the history of theological attempts, particularly twentieth-century theological giants (Barth, Tillich, Rahner, Moltmann, Pannenberg), to think about the time-eternity-history relation with regard to the Kairos (through the Incarnation of the Son) at the fulfilled time and the Parousia, namely the Second Coming at the eschatological end of time. The article concludes with certain criteria regarding judgements on the undecidability of theism vs. atheism when attempting to go beyond Heidegger’s Being and Time. The ontological consequences, and therefore meaning of such an undertaking at a step beyond Being and Time, remain indiscernible for specific reasons. (shrink)

The “flusserian” phenomenology regards itself as a process, a strategy and, sirnultaneously as a criticism: it would be named an “interrogative phenomenology” or paraphenomenology whose researches are authentic points of “repere”, features that distinguish boundaries and establish paths, connecting them in referential webs that creatively construct a describing and interpretative map of our experience such as it really is. Thus, it is a phenomenology supported by hermeneutics, being its purpose onto-existential. The proposed analysis, from the problematic core of the phenomenological (...) questioning, is that of grabbing the attention to something always expressed and, quite often, ignored or indifferent: a reftection on the gesture. This possible philosophy of the gesture enables the understanding of the relationship of a society/civilization in which the abyss between real and virtual was nullified, where it is possible to think things (Dinge) and the non-things/non-objects (Undinge), as much absurd as this last expression may seem. More important, though, is the openness to the understanding of a new emerging human condition and the strangeness of a society ruled by non-historical criteria: the entrance to the so called post-history. (shrink)

In Virgil’s Eclogues the Muses Pierides are always represented as authors of the poems, like in the Gallus papyrus from Qaṣr Ibrîm. Their presence in passages allusive to the verses of the papyrus and the employ of the epithet by Prop. 2, 10 and 2, 13 in texts rich of references to Gallus suggest that the word Pierides was already in Gallus’ poetry and perhaps in the lacuna at v. 6 of the papyrus.